I ran into a teacher friend in the halls, a very accomplished singer and musician who is also one of the most levelheaded, fair-minded people I know. "How's the musical going?" I inquired of "Kay"*. I got a roll of the eye and a heave of a sigh for response. "I got an email from a parent about our casting," she said.
One of the many things that makes Kay such a gem is the fact that she is willing, nay, eager, to help stage the middle school musical. Every. Year. Do you have any idea what it's like to get twenty middle schoolers organized and focused for forty minutes every day? Try to imagine it. Now try to imagine FOUR TIMES THAT NUMBER of students for TWO HOURS AT A STRETCH, and you have musical practice. Furthermore, the musical has a very low threshold of exclusivity. Do you want to be in the musical? Okay, you're in the musical! Do you want to sing, despite a near-total dearth of musicality? That's fine, you can be in the chorus! Are you too shy to show your face on stage, but you're longing for the roar of the greasepaint and the smell of the crowd? Come be a stage hand! If the musical doesn't have enough parts for everyone, they'll make up a part for you, right down to the third lady's maid's sister's understudy.
However, this being Upper Socioeconomic Middle School, located in the land of competitive parenting, there is always going to be an element that COMPLETELY LOSES ALL PERSPECTIVE around events like this. Because while anyone can be in the musical, there are parts to be won (or lost) and bragging (or complaining) rights at stake. so while parts for the third lady's maid's sister's understudy abound, there are always only a few true lead roles to go around, and that's where the heartache begins.
Kay told me that one particular student did not get a lead role this year. This student considers herself to be quite the budding thespian (a perspective that has been actively encouraged, if not originally instilled, by her mother). She had won a lead role last year and thought herself a shoo-in for the lead. When she did not get the lead, she approached Kay and asked why she didn't get it. Kay repeated to her what she told all the kids, that she tries to fit the best student to the best part. Then "Sarah" asked her if there were any lead roles left over. The only role left was that of a larger, unattractive older woman, which Kay told Sarah was still open if she wanted to consider it.
Well, after that all hell broke loose, transmitted via e-communication. Sarah's mother sent Kay a screed telling her (Kay) how TRAUMATIZED Sarah was by this and asking how DARE Kay tell her that she wasn't as good as some of the other students who tried out and how could she be so CRUEL and HEARTLESS as to suggest her daughter was UNATTRACTIVE by offering her that role and blah blah blah self esteem yada yada yada you shouldn't be around children blah. The mother then haughtily informed Kay that her little Sarah happened to be working with a talent agency that happened to think that this was a very talented young lady who would go on to have a brilliant career as an actress. So there.
Here's what she failed to leave out: This "talent agency" that is praising Sarah's acting to the skies? Is a private "acting and modeling academy" to which this family has paid THOUSANDS AND THOUSANDS OF DOLLARS over the past two years for "lessons". And what has this institution managed to accomplish on Sarah's behalf? Well, she's been an extra in a movie or two. Now, correct me if I'm wrong, but from what I understand, being an extra entails getting paid a pittance to stand around for hours basically being yourself and reacting to what's going around you, or not reacting, whatever the director decides. So after months and months of academy fees, and weekly travel back and forth to the nearest larger metropolitan area, and paying for head shots and whatever, the kid's skills were honed to the point where she was eminently qualified to... stand around???
This is where I lose my sh!t.
Dear readers, you know I love my India and my Ceecee past the point of rationality. They are as the stars in the sky and the earth under my feet. I think they are clever and talented and beautiful and fascinating. TO ME. But if I ever, ever start blogging about how they are America's Next Top (fill-in-the-blank here) and I know this because the expensive private instructor I hired told me so, will you please please please reach through your computer screen and smack some sense into me??? Really, are there that many suckers born every minute that these parents don't GET IT? OF COURSE the acting academy thinks Sarah is the next Dakota Fanning, because that's how they get the money out of you! But don't think for a moment that it's limited to music and acting, oh no no no. My friend the baseball coach has to deal with it too, when parents sidle up to him in tryouts and oh-so-casually mention that "Brandon's AAU coach says he's going to be their top pitcher this year." Yeah? So? The only way AAU makes its money is by finding parents who are willing to pony up bucks for their kid to play on a team! Sure, your kid may be the best pitcher on his AAU team, but that's no guarantee of anything! That's why I changed dance schools for my kids, because the school we were attending pushes the competition team crap hard. They make a big deal about "tryouts" to make it sound exclusive and elite, but in reality, they're just divided among a couple teams: Girls who can dance, girls who can sorta dance, and girls who suck but whose moms are willing to pay for the mandatory four different dance classes per session! Really, is it that hard to figure out??
Let me offer you some perspective on this: Everyone is better at some things than others. Lots of kids have talent. Some kids have a lot of talent. But only one in a zillion has a truly remarkable talent. What's more, that talent is usually accompanied by a big work ethic and extraordinary focus at a very young age (sometimes that work ethic and focus is the parents' and not the kid's, but that's another post). If you're spending thousands of dollars on soccer camp and hotels and travel and all that crap and your kid gets cut from the freshman team, that should be a clear signal to put away the Division I season pass order forms and tell your kid to start hitting the books. And don't bring up the old "Michael Jordan got cut from his freshman basketball team" story to me, because that's an outlier - as proven by the fact that it's the only counterargument you have. Now, if your kid loves doing x, and you want to pay for it, great! It's good for kids to have a positive activity to focus on. But don't think that just because you spend a small fortune you can't afford on your kid that it automatically makes him or her more talented than anyone else out there.
I'll tell you another thing that drives me batsh!t crazy about this whole phenomenon: It creates a very uneven playing field for the kids who might want to try something, but whose families can't afford to pay for the private leagues or who don't have their act together enough to get their kids into it. The research is clear: Lower-class kids spend their free time playing outside with each other in unstructured activities, and middle-class kids take lessons and join leagues. By the time school sports start up in middle school, when it's more likely to be free, the less-advantaged kids are already four or five years behind the kids who have been in rec league for all of elementary school. Add in AAU and town travel teams and Elite USA and all that other crap, and getting your kid into an activity becomes an arms race based on who has more money and time to spend trucking kids around.
Don't get me wrong, if India and Celeste happen to express an interest or a talent in something, I will do whatever I need to do (within reason and cost) to foster it. My approach right now is to try a range of things. They take dance lessons once a week. India sings in her youth voices choir at church. They've taken swimming lessons and gymnastics lessons and soccer lessons in the past, but those are usually limited to a session or two. Even though I think they are the greatest thing since sliced bread, I can see that they're no more than typically capable at any of those things. Will that change? I don't know. I hope they find a passion in something - music, art, philately, model UN, studying the films of Ingmar Bergman - that enriches their lives beyond the daily round of school and home and chores and homework. But I also hope I never mistake shelling out the green stuff on my part for actual talent on my kids' part.
* Names and identities changed to protect - well, everyone involved. The student portrayed is a composite and all conversations are summaries and not quotes, so don't get all James Frey on me, a'ight???