After watching nearly every girl in my classes with her head buried in a book the size of a cinderblock since late August, I finally caved and started reading the Twilight series. I wanted to know what all the "Team Edward" paraphernalia meant, first off, and then when my neighbor's daughter (who has never read a book willingly in her life) became totally obsessed, I figured I needed to know just what the hell (ha! doomed soul pun!) was going on. To give Stephenie Meyer her props, it's a page-turner. I went to bed at 9 p.m. last night (why yes, I am that boring, thank you) thinking I would breeze through a chapter or two and I finally put it down at 10:40, having lost all track of time (and my shot at an early bedtime, dammit). Meyers establishes a real sense of place and the action moves along briskly, but not with the head-turning disjointedness of a DaVinci Code. However, as I've been reading it, I've been haunted (ha! another doomed soul pun!) by a growing sense that there's something objectionable underlying the whole premise of the book.
Then I realized what had been nagging at my subconscious. Under all the trendy modern-vampire-slash-teen-ennui facade, this is the oldest plot line in the male-female storyline: Nice Girl Meets Jerk; Jerk Changes for Better. When we meet Edward Cullen, he's hostile, withdrawn, arrogant, supercilious, condescending ... you get the point. But then Bella really gets to know him and sees how he's so terribly misunderstood, and once they get to know each other he's really very nice except for that bloodsucking habit and blah blah blah. Worse yet, the relationship between Bella and Edward Cullen falls into the classic, and let me emphasize CLASSIC, pattern of domestic abuse, and yet NO ONE seems to notice! Let's take a closer look at this, shall we? Let's see now, our heroine, Bella, refers to herself as "ordinary," "nothing special," "soft," (as in mushy-middled) "a loner," someone who doesn't have any connections to others and has no real friends. She's bad at gym, hopelessly uncoordinated, accident-prone, the list goes on and on. This makes her low-hanging fruit for Edward, who then engages in a textbook pattern of go-away-come-back.
He's prone to violent mood swings:
He stared at me again, meeting my eyes with the strangest expression on his face - it was hostile, furious."
I could see his hand on his left leg was clenched into a fist, tendons standing out under his pale skin.
Abruptly, his unpredictable mood shifted again; a mischievous, devastating smile rearranged his features.
"Sometimes I have a problem with my temper, Bella." He was whispering, too, and as he stared out the window his eyes narrowed into slits.
He engages in risky, frightening behaviors, even when Bella is clearly upset:
"Holy crow!" I shouted. "Slow down! ... You're going a hundred miles an hour!" I was still shouting.
"Relax, Bella." He rolled his eyes, still not slowing. ... "I always drive like this."
He isolates her from her friends:
"Edward Cullen is staring at you again," Jessica said, ... "I wonder why he's sitting alone today." ... I followed her gaze to see Edward, smiling crookedly, staring at me from an empty table across the cafeteria ... he raised one hand and motioned with his index finger for me to join him. ... "Um, I'd better go see what he wants."
"The mention of Jessica brought a hint of his former irritation back to his features."
He monitors her activities:
"It's harder than it should be - keeping track of you. Usually I can find someone very easily,..."
... outside the door to our Spanish class, leaning against the wall ... Edward was waiting for me. ...His voice was amused and irritated at the same time. He had been listening, it was obvious.
He tells her repeatedly that she is responsible for his emotional well-being.
"When you walked past me, I could have ruined everything Carlisle has built for us, ... I wouldn't have been able to stop myself."
"You are the most important thing to me now. The most important thing to me ever."
Put this all together and the picture becomes clear: Edward Cullen is an asshole. This guy is captain of the varsity jerk squad, and Bella's looking to help him earn yet another letter for his jacket. Why? Because he's dangerous, that's why! But even though he tells her he's dangerous and she shouldn't be around him, what's her response? She should be saying, "Thanks for the advice, Eddie, I think I'll go hang around with those nice boys Tyler and Mike who are always so pleasant to me," but no. Her reaction? She feels SAFE with him! He's the only one who really UNDERSTANDS her! She TRUSTS him not to make like a slim jim with her neck muscles til she's down for the long dirt nap! Why??? Because she just KNOWS, that's why!
GAAAAAH!
As a former English teacher, I understand there's a huge difference between a book and real life. I also know that nice, happy, well-adjusted people make for lousy characters. Famous literature is crawling with cads and boiling over with bounders. No one would give a damn about Heathcliff and Cathy if they had talked out their differences with the help of a really good therapist and settled down to raise Welsh corgis. Romeo Montague was arguably immature and impulsive and had a bit of an anger management issue to boot. Mr. Darcy was emotionally unavailable, Mr. Rochester wasn't the picture of mental health, Jude the Obscure had delusions of grandeur... I could go on, but the point is, I wish Meyer hadn't gone quite as far as she did to make Edward's negative tendencies look so appealing. After seeing more iterations of the sweet girl/shithead guy pairing than I care to remember, I can tell you that teenage girls don't need more encouragement to see assholes as their own personal reclamation projects in the making. That whole mad, bad, and dangerous to know routine looks exciting and romantic from the outside, until you talk to that wonderful senior girl you hadn't seen for most of her junior year because she was hiding from a stalker ex-boyfriend. Or spend half an hour debriefing one of your sociology students after watching a documentary about teenage alienation because her former so-called "boyfriend" had raped her, given her herpes, and told everyone he knew about it. Or witness the humiliation of the honors student whose asswipe deadbeat juvenile-delinquent-on-parole boyfriend talked her into doing something in public she didn't want to do, whereupon they were seen doing it by, well, everyone. Why were these lovely, bright, interesting, attractive girls dating such a rogues' gallery of losers in the first place? Because "he's the only one who wants me." "I had nowhere else to go." "I didn't know what else to do."
I spent my 20's and the early portion of my 30's longing for and/or dating the unattainable and unsuitable, so I feel uniquely qualified to comment on this. It wasn't until I hit my mid-30's that the light finally dawned: If you want to get married to a nice man, you have to date nice men. And, shazam! I met Warren! - who was straightforward, honest, nice, funny, eager to spend time with me, easy to get along with - in short, everything I had rejected in a dating partner for the first twenty years of my romantic life. Having been such a slow learner myself, I am acutely aware of how ubiquitous and pervasive the bad-boy stereotype is, and how many, many otherwise intelligent young ladies fall for it hook, line, and sinker. So far Twilight looks like just another lure on the line.